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Two best friends rise through the ranks of New York's Chinese underworld in the 1980s.
Directors: Wai-keung Lau, Andrew Loo
Writers: Michael Di Jiacomo, Andrew Loo
Stars: Justin Chon, Kevin Wu, Harry Shum Jr.
Asian-American actors get so few opportunities to play significant roles that films placing them front and center seem worth supporting on general principle. All the same, it’s a bummer that Revenge Of The Green Dragons lacks the ingenuity and intensity of Infernal Affairs, the 2002 Hong Kong thriller Martin Scorsese turned into his Oscar-winning triumph The Departed. By way of thanks, Scorsese serves as an executive producer on Green Dragons, which was co-directed by Infernal Affairs co-director Andrew Lau (working with a different collaborator this time), and he may well have played a role in securing Ray Liotta for one of the key American parts. True reciprocation, though, would have seen Lau remake one of Scorsese’s films, and an Asian-American version of Mean Streets set in ’80s Chinatown (which is right next to Little Italy!) would surely have been far more interesting than this generic, nondescript gangster saga.
Given how many standard-issue genre beats Green Dragons hits, it’s surprising to learn that it’s based on actual events—the primary source material is a lengthy New Yorker article written by Fredric Dannen in 1992, not long after the shit went down. As fictionalized, the story focuses on Sonny (Justin Chon, familiar to many as Eric from the Twilight films) and Steven (Kevin Wu), who were smuggled to America as kids and wound up joining the Green Dragons, one of several savage Asian-American gangs operating in Queens during the ’80s. Their relationship actually does have a bit of a Mean Streets vibe, with Sonny as the sensible peacekeeper à la Harvey Keitel and Steven as the Robert De Niro-esque volatile hothead; both are in thrall to Dragons leader Paul Wong (Glee’s Harry Shum Jr.), who’s graduating from human trafficking and petty larceny to bringing heroin into the country hidden in Chinese pastries. Inevitably, loyalties prove tenuous and allegiances shatter. When characters start openly discussing the “American dream,” it’s sufferin’ time.
Michael Franzese, the son of John "Sonny" Franzese, an underboss of the Colombo crime family, recounts his spiritual transformation.
Director: Simon Fellows
Writers: Moshe Diamant, Michael Franzese, 1 more credit »
Stars: Tom Benedict Knight, Amanda Fernando Stevens,
Owen Davis
Taking another step into the faith-based arena, Freestyle Releasing has set an Oct. 31 launch in the U.S. for “God the Father,” the documentary about a former mob boss who turned to religion.
“God the Father,” produced by Moshe Diamant and directed by Simon Fellows, documents the life and spiritual transformation of Michael Franzese, son of Colombo underboss John “Sonny” Franzese.
Moonstone Entertainment will begin selling “God the Father”next week at Cannes.
Franzese followed his father’s profession as a mobster, making his reputation in schemes such as an elaborate gasoline bootlegging scheme that involved collecting gas taxes and not paying the government. He renounced the life of crime in 1987 and began seeking redemption as a Christian.
“God The Father” includes graphic novel-style animation, re-enactments, archival news footage and interviews. Franzese co-wrote the script with Moshe Diamant.
Executive producers are Sagiv Diamant and Jonas McCord. Vilmos Zsigmond is the cinematographer.
Freestyle’s faith-based “God’s Not Dead” has grossed $56 million in the U.S. two months, by far the top perfomer among the company’s releases.
“Freestyle was immediately onboard this provocative film when we saw it,” said Freestyle Releasing’s Co-President Mark Borde. “The journey of Franzese from outlaw to devout believer is one that will spark interest in a wide variety of audiences, and we very much look forward to working with the filmmakers on taking their message to the masses.”
On April 20, 2010, the Deepwater Horizon oil rig exploded in the Gulf of Mexico. It killed 11 workers and caused the worst oil spill in American history. The explosion still haunts the .
Director: Margaret Brown
Stars: Meccah Boynton-Brown, Doug Brown, Bob Cavnar
On April 20, 2010, the Deepwater Horizon oil rig exploded in the Gulf of Mexico. It killed 11 workers and caused the worst oil spill in American history. The explosion still haunts the lives of those most intimately affected, though the story has long ago faded from the front page. At once a fascinating corporate thriller, a heartbreaking human drama and a peek inside the walls of the secretive oil industry, "The Great Invisible" is the first documentary feature to go beyond the media coverage to examine the crisis in depth through the eyes of oil executives, survivors and Gulf Coast residents who experienced it first-hand and then were left to pick up the pieces while the world moved on.Fiery video images bring us back to April 20, 2010, the date that a horrific explosion occurred aboard the Deepwater Horizon, a Transocean-owned, BP-leased rig positioned above the deepest oil well in history. The blaze claimed the lives of 11 workers, and the uncapped well gushed an estimated 4.2 million barrels of oil into the sea over the next 87 days, in one of the worst man-made environmental disasters on record. Among other things, Brown’s film represents a conscious attempt to hear from those impacted by the catastrophe, and also to offer a catalogue of BP’s moral negligence, from its corner-cutting safety lapses leading up to the explosion to its grossly ineffectual cleanup operation afterward.
Among those onboard the Deepwater Horizon were chief mechanic Douglas Harold Brown, who delivers harrowing testimony about the night of the explosion (illustrated in quick, impressionistic blips of footage); he and fellow survivor Stephen Stone poignantly speak out about their sense of guilt and post-traumatic stress disorder. The family of Gordon Jones, a drilling fluids engineer killed in the blast, express their anguish as well as their anger at BP for its lack of contrition or accountability, a $20 billion trust fund set aside to settle claims arising from the oil spill notwithstanding. Kenneth Feinberg, the attorney chosen to administer the fund, is the closest figure to BP interviewed here; although the film doesn’t delve too deeply into the controversial matter of his compensation (by BP) or his denials of numerous claims, his tone-deaf reference to the settlement as a “gift” to locals speaks for itself.
But Brown’s inherent interest in complexity leads her beyond mere finger pointing; she subtly reveals how the entire capitalist machinery of oil production and consumption is entrenched in American life in general, and Southern life in particular. The filmmaker brings her camera and crew to Bayou La Batre, the seafood capital of Alabama, where the decimated oyster population has cost countless workers their jobs and homes. One local hero is Roosevelt Harris, a food-pantry volunteer who encourages others in the community to file claims for the money they deserve; their unwillingness to do so speaks to a collective sense of fear, skepticism and helplessness, as well as class and cultural barriers that impede any sort of meaningful engagement or discussion.
A team of losers win the love of millions in their quest to pull off the biggest diamond heist ever by team India.
Director: Farah Khan
Writers: Althea Kaushal, Farah Khan,
Stars: Shah Rukh Khan, Deepika Padukone, Abhishek Bachchan
Happy New Year is a 2014 Bollywood action comedy-drama film directed by Farah Khan and produced by Gauri Khan under the banner of Red Chillies Entertainment. The film has an ensemble cast which includes, Shahrukh Khan, Deepika Padukone, Abhishek Bachchan, Boman Irani, Vivaan Shah, Sonu Sood and Jackie Shroff. The film will be distributed worldwide by Yash Raj Films.[4] This will be the third collaboration of Khan with the director; they previously worked on Main Hoon Na (2004) and Om Shanti Om (2007), the latter of which also featured Padukone as the female lead. The promos of the film revealed that it belongs to a new genre of musical heist.Plans for the upcoming film began way back in 2005 but the project was shelved in lieu of Farah Khan's Om Shanti Om (2007) which also featured SRK and Deepika Padukone. After her 2010 film Tees Maar Khan, Farah began to consider the possibilities of the film and screenwriting was completed by October 2012. The filmmaker stated that she wanted an established actress in the lead role opposite Khan. Names such as Sonakshi Sinha, Asin, Aishwarya Rai Bachchan, Parineeti Chopra and Katrina Kaif were rumoured to play the role, however Deepika Padukone was finalized, making it her third film with Shah Rukh Khan after Om Shanti Om and Chennai Express (2013). As for the lead role, Khan was one of the director's first choice for the film.[16] The actor was reported to be playing the role of a con artist in the film which has Deepika in the role of a Marathi dancer. At a point, John Abraham was to play one of the supporting roles but Sonu Sood replaced him. Boman Irani was confirmed by the director during an interview. In August 2013, Jackie Shroff was finalised to play the film's antagonist. The director's brother Sajid Khan will be making a guest appearance while actress Malaika Arora Khan was also signed to appear in a cameo role. Vivaan Shah will reportedly play the role of a computer hacker. Actor-director Prabhu Deva has performed a dance in a cameo appearance for the film.
In the aftermath of his girlfriend's mysterious death, a young man awakens to strange horns sprouting from his temples.
Director: Alexandre Aja
Writers: Keith Bunin (screenplay), Joe Hill (novel)
Stars: Daniel Radcliffe, Juno Temple,
Heather Graham
Based on the novel by Joe Hill, Horns is a supernatural thriller driven by fantasy, mystery and romance. The film follows Ig Perrish (Daniel Radcliffe, "Harry Potter" films), the number one suspect for the violent rape and murder of his girlfriend, Merrin (Juno Temple). Hungover from a night of hard drinking, Ig awakens one morning to find horns starting to grow from his own head and soon realizes their power drives people to confess their sins and give in to their most selfish and unspeakable impulses - an effective tool in his quest to discover the true circumstances of his late girlfriend's tragedy and for exacting revenge on her killerHorns received mixed reviews from critics. Review aggregator Rotten Tomatoes gives a 53% approval rating, based on 17 reviews, with an average rating of 5.3/10.
John DeFore of The Hollywood Reporter gave a positive review of the film, remarking, "While this all begins as a kind of supernatural black comedy ... the tone grows darker with each revelation".
Joe Hill, who wrote the novel the film is based on, praised Radcliffe's performance, calling it a "wrenching, vulnerable, emotionally naked performance that isn’t like anything he’s ever done on screen before. He is such a wonderful Ig Perrish".
The Guardian scored the film two out of five stars, calling it "a Dogma-style mash-up of grim comedy and religious satire".[27] Eric Kohn of IndieWire wrote, "Predominantly a failure of tone, "Horns" has plenty of admirable traits and yet dooms itself from the outset. It's an admirable conceit stuffed into far less subtle material".[28] Peter Debruge of Variety sensed that the film "benefits from the helmer's twisted sensibility, but suffers from a case of overall silliness".[29] Jonathan Weichsel of MoreHorror.com stated that "The cast is all around terrific, especially Daniel Radcliff who is nothing short of phenomenal, and the set pieces are entertaining in that wild, over the top way that only horror can pull off effectively."
A young man stumbles upon the underground world of L.A. freelance crime journalism.
Director: Dan Gilroy
Writer: Dan Gilroy
Stars: Jake Gyllenhaal, Rene Russo, Michael Papajohn
Nightcrawler is a 2014 American crime thriller film written and directed by Dan Gilroy. The film stars Jake Gyllenhaal, Rene Russo, Riz Ahmed, and Bill Paxton. Marking Gilroy's directorial debut, it tells the story of a driven young man who stumbles upon the underground world of Los Angeles freelance crime journalism.
The film was screened in the Special Presentations section of the 2014 Toronto International Film Festival.[4] It is scheduled to be released theatrically by Open Road Films on October 31, 2014
Gyllenhaal was the first actor to sign for the film back in April 2013. The film was not one of the 31 projects originally selected by The California Film Tax Credit program June for $100 million in credits via a lottery from 380 applications, but it did receive a $2.3 million allocation. Bill Paxton and Rene Russo signed for the film in September 2013, which was followed by the casting of Riz Ahmed as Gyllenhaal's "driver and proteg
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A 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.
Directors: Rodney Ascher, Julian Barratt,
Writers: Robert Boocheck (segment), Alejandro Brugués,
Stars: Martina García, Tristan Risk, Béatrice Dalle
ABCs of Death 2 is a 2014 American anthology horror comedy film produced by Ant Timpson and Tim League. It contains 26 different shorts, each by different directors spanning various countries. It is a sequel to the film The ABCs of Death.[1] The film received a much more positive response than its predecessor.
The lives of four black students at an Ivy League college converge after controversy breaks out due to the ill-conceived theme of the campus humor magazine's annual Halloween party.
Director: Justin Simien
Writer: Justin Simien (screenplay)
Stars: Tyler James Williams, Tessa Thompson, Kyle Gallner
Simien, inspired by his experiences as an African-American college student, wrote the first draft of the script in 2012. The next year, he made a trailer to promote and gain attention and funds for his project, which went viral.[9] He also launched a campaign at Indiegogo to raise $25,000 but he got an overwhelming response and managed to raise $40,000 instead.[10]
The project won Indiewire's Project of the Year title and Simien was later invited to 2013 Tribeca Film Festival to participate in Filmmaker/Industry meetings hosted by the festival.[11] Talking about Tribeca Film Festival, Simien said that "we had a lot of meetings with a lot of studios. We had a lot of conversations with studios and distributors and basically, we decided that the best offer on the table was from an independent financier, Julie Lebedev of Code Red Films. To make it independently, that was really the dream -- because then we could make the movie we wanted to make.
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A washed-up actor who once played an iconic superhero must overcome his ego and family trouble as he mounts a Broadway play in a bid to reclaim his past glory.
Edward Norton
Riggan Thomson is a washed-up Hollywood actor who once played the superhero Birdman, before leaving the franchise to reinvent his career by directing and starring in an adaptation of Raymond Carver's short story What We Talk About When We Talk About Love. The play is produced by Riggan's best friend Jake and stars Riggan's girlfriend Laura and actress Lesley. Riggan's daughter Sam, a recovering drug addict, is also part of the production as Riggan's assistant, and he has refinanced the house belonging to his ex-wife Sylvia to fund the play. Throughout all of this, Riggan is mocked by the disembodied voice of Birdman, who claims he will fail.
After one of the leads is injured by a falling stage light, Jake convinces Riggan to replace him with famous method actor Mike Shiner, who becomes attracted to Sam. Laura later announces she's pregnant and breaks up with Riggan when he appears to be disappointed. During preview performances, Mike insists on drinking real gin on stage, and when he's instead handed a prop, he interrupts the performance and berates Riggan, who then decides to fire Mike, but is then told by Jake his addition to the cast has boosted ticket sales and they can't lose him.
Riggan and Mike go to a bar, where Riggan tells Mike he needs the play to be succesful, and mentions that he once received a compliment from Raymond Carver on a napkin after a performance back when he was a struggling theater actor. Mike points out it's a bar napkin and Carver wrote it while drunk. He dismisses Riggan as untalented for Broadway and introduces him to Tabitha, a vicious critic whose review will make or break Riggan's play.
During their second performance, Riggan, Mike, and Lesley perform a scene where Riggan's character catches Lesley's character cheating on him with Mike's character and commits suicide. Mike gets an erection and attempts to persuade Lesley to have sex with him on stage, but she refuses. Although the audience is distracted by Mike's arousal, the performance is a success, and Riggan comforts Lesley afterwards. Laura eavesdrops on them and confides with Lesley that Riggan was never so kind to her, and the two kiss. Meanwhile, Sam and Mike grow closer, and Mike advises Riggan to find a more realistic prop gun.
Riggan reads early reviews and is incensed that they only mention Mike, who even presents Riggan's story about Carter's napkin as his own, leading to a fight between them. Riggan later accidentally locks himself out of the theater during another preview performance and has to go back into the theater and finish the play in his underwear. After the performance, Riggan goes to the bar and runs into Tabitha again. She reveals that she hates Hollywood celebrities who attempt to pass themselves for legitimate actors and announces her plans to lambaste his play even if it is good. Frustrated, Riggan gets drunk and returns to the theater the following day while hallucinating about meeting Birdman and possessing superpowers, including flight. At his dressing room, he gets into a fight with Sam, who claims nothing they're doing will mean anything in the end. Sam later has sex with Mike at the rafters above stage, while Sylvia visits Riggan again and wishes him luck.
On opening night, the performance goes off perfectly. Riggan uses a real gun for the final scene, shooting himself in the head in front of the audience, and earning a standing ovation from all but Tabitha. He awakens in the hospital, with bandages that resemble Birdman's mask, and is told by Sam that the play is a hit and Tabitha has written a positive review, lauding Riggan's development of a new acting technique called "Ultra-Realism". After Sam leaves, Riggan spots birds flying outside his hospital room and climbs to the ledge. When Sam returns, Riggan is gone. Sam hurries to the window, looks down expect
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